Showing posts with label Marva Dale. Show all posts
Showing posts with label Marva Dale. Show all posts

Wednesday, July 17, 2013

My Guest Marva Dale Talks About the Roaring Twenties!



Life in the Roaring Twenties
 From The Great Gatsby to Mobsters to Flappers and Jazz... 

My character, Carney Brogan in Death of a Flapper experienced quite a bit of what life had to offer in the 1920s, the decade often referred to as the Roaring Twenties or the Jazz Age,  or sometimes the "Golden Age Twenties”  because of the economic boom following World War I.  The United States went through some pretty well-known and noteworthy changes in the 1920s, including Prohibition (ban on alcohol) and the Women’s Suffrage Movement which helped secure the vote for women.

Flappers were a "new breed" of young women in the 1920s who wore short skirts, bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered acceptable behavior.  Flappers were seen as brash for wearing excessive makeup, drinking, treating sex in a casual manner, smoking, driving automobiles, and otherwise flouting social conventions and sexual norms.  Flappers had their origins in the liberal period of the Roaring Twenties where such dances as the “Charleston” had girls “flapping” their arms to the new jazz beat.


Flappers also began working outside the home and challenging women's traditional societal roles.  They were considered a significant challenge to traditional Victorian gender roles: devotion to plain-living, hard work, and religion.  Increasingly, women discarded old, rigid ideas about roles and embraced consumerism and personal choice, and were often described in terms of representing a "culture war" of old versus new.  Slang became prevalent amongst young people, and so did necking parties where a lot of hot and heavy kissing took place, particularly in the rumble seats of young men’s roadsters.  Flappers used the word "jazz" in the sense of anything exciting or fun. Their language sometimes reflected their feelings about dating, marriage and drinking habits: "I have to see a man about a dog" often meant going to buy whiskey; and a "handcuff" or "manacle" was an engagement or wedding ring.  Such phrases as “That's so Jake,” or "That's the bee's knees,” reflected approval and so too the popular "cat's meow" or "cat's pajamas.”


Thanks to the “boyish” look inspired by the French designer Coco Chanel, women’s dress became straight and loose, leaving the arms bare (sometimes no straps at all) and dropping the waistline to the hips.  Silk or rayon stockings were held up by garters.  Skirts rose to just below the knee by 1927, allowing flashes of leg to be seen when a girl danced or walked through a breeze.  To enhance the view, some flappers applied rouge to their knees.  High heels also came into vogue at the time, reaching 2–3 inches high.  Flappers did away with corsets and pantaloons in favor of "step-in" panties. Without the old restrictive corsets, flappers wore simple bust bodices to restrain their chest when dancing.  They also wore new, softer and suppler corsets that reached to their hips, smoothing the whole frame, and giving women a straight up and down appearance, as opposed to the old corsets which slenderized the waist and accented the hips and bust.  Adding an even more boyish look, the Symington Side Lacer was invented and became a popular essential as an every-day bra. This type of bra was made to pull in the back to flatten the chest, and flat chests soon became appealing to women.

Prohibition gave birth to speakeasies-- night clubs where booze was served clandestinely.  Bootleggers fought for territory as they sold “bathtub gin,” and this black market trade along with other illegal activities attracted a new breed of outlaw: the gangster and his mob.  In fact, mobsters like Al Capone were even idolized by the public.  And in the midst of all of this, you can bet that the way the people ate in the U.S. changed.  So when the 1920s came roaring in, food conservation was a little less of a concern and people began to indulge in the joys of life, including illegal alcohol and food that reflected this new prosperity.  Packaged, canned and frozen goods became time-savers in the kitchen.  (Advertisement for Gorton’s Cod Cakes – A delicious meal for 25¢. A new taste from the sea, and nothing to do but fry!)  Chinese food remained popular, and a dinner party menu might include canapés, crudités, soup, salad, three entrees and several desserts. 



Literature also played a significant role during this time, and such authors as Ernest Hemingway, John Steinbeck and F. Scott Fitzgerald were the literary “superstars” of the day.  In his book The Great Gatsby, Fitzgerald brilliantly captured the pulse of the era-- beautiful people enjoying themselves at lawn parties and elegant soirees.  

Men wore tuxedos and women adorned their gowns with feathers, sequins and spangles.  Egyptian motifs became very popular after the discovery of King Tut’s tomb in 1923.

 


The Art Deco style influenced interior design and architecture, and the school of Dadaism—a movement that repudiated social conventions—became prevalent in the art, music and literary worlds.   Surrealism, an avant-garde style, also flourished.  

The 1920s became the era of mass production and assembly lines, and to market all these goods and services advertising agencies sprung up, particularly on Madison Avenue in New York City.  Unfortunately over-production became one of the major factors in the Stock Market Crash of 1929, resulting in the Great Depression that lasted through most of the 1930s.  Until then people could afford what had once been luxury items like cars (the popular Ford Model A) and major appliances, not to mention electricity and telephone service.  

For entertainment, they went to the movies (silent until 1929) where they could see such film stars as Rudolph Valentino, Clara Bow, Mary Pickford and Douglas Fairbanks.  And radio, a brand new medium, brought music, news and programs into homes across America.






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Thank you so much for this look at the Roaring Twenties, the time frame in which your book, Death of a Flapper, takes place. It's a fascinating era!

Tuesday, July 16, 2013

Death of a Flapper by Marva Dale


First Line: I think I fell in love with Arabella, though I'm not sure how one goes about falling for a corpse, or perhaps even a dream.

Lucille Prado knows something is wrong. She hasn't heard from her daughter in two weeks, so she asks private investigator J.C. "Carney" Brogan to find Alice. In no time at all, Carney identifies Alice as Arabella Germaine-- the ultimate flapper, a gorgeous blonde who moves in all the right circles and all the right parties. Unfortunately Arabella's body has turned up at the city morgue. Under the spell of the beautiful dead girl, Carney vows to find her killer from what turns out to be a very long list of suspects-- and some of those suspects are willing to kill to keep their secrets.

Living in a small apartment in Tin Pan Alley, Carney is an engaging young man who barely makes a living from being a private investigator. Throughout his investigation, he wonders if he knows what he's doing, if he understands what's really going on in the world around him, and this soul searching of his makes Carney a character we can all identify with. As much as I liked him, I did find Carney confusing from time to time. He comes from an underprivileged background and uses a lot of the current slang when he speaks, but he can also say things like "I don't speak elitism peppered with hedonistic euphemisms!"  This may signal hidden depths to this character, and I'm rather hoping that Carney shows up in the 1930s book in this Death by the Decade series so I can learn more about him. 

As Carney worked to narrow the list of suspects, the author brought New York City in the 1920s to life. I was reminded of classic detective fiction from that era as I read about the private eye with a heart of gold searching for the killer of a beautiful young girl who'd fallen for the hedonistic lifestyle of her rich and corrupt friends. Death of a Flapper is a good, solid start to a new mystery series. I look forward to reading more. 

Death of a Flapper by Marva Dale
ISBN: 9781610090322
Oak Tree Press © 2012
Paperback, 208 pages

Historical Mystery, #1 Death by Decade mystery
Rating: B-
Source: publicist

Monday, July 15, 2013

Scene of the Crime with Author Marva Dale!


To be more accurate, I should say that this week's Scene of the Crime interview is with Debra McReynolds. Following a centuries-old tradition among many authors, Debra writes under two different names: Deborah Merrell for her eBook romances, and Marva Dale for mysteries. An expert in the field of public relations, Debra has begun writing the Death by the Decade series, and if you stop by tomorrow, you'll be able to read my view of Death of a Flapper. Actually, it's Marva Dale Week here on Kittling: Books. Today, an interview with the author; tomorrow my review of her book; and Wednesday Debra will be telling us a bit about life in the 1920s-- the decade of Death of a Flapper. Lots of good things in store for you!

Debra McReynolds
You know me... I just have to do a bit of research for any of the authors I feature on my blog because I know many of you like to learn more about these talented writers. Here are a few links you can use to connect with Debra:


Are you all ready? Good, because it's time for the interview!


What was the very first book you remember reading and loving?  What made the book so special?

The book that intrigued me the most at the age of five or six was Mitzi the Mermaid.  I still remember its wonderful illustrations in such vivid, lovely colors.  Mitzi had long blond hair and spoke to the creatures of the sea.   The book means more to me now because my mother read it to me, and I lost her to cancer 27 years ago.


Outside of your writing and commitments, what do you like to do with your free time?

I rediscovered embroidery a few years back, and I now find it very relaxing as I watch a classic movie on TV.  I’ve made dozens of embroidered keepsakes like framed artwork, pillows, quilts, etc., and all for family and friends.  And I’ll confess to sewing Barbie doll clothes for my dolls and making furniture for them out of everyday items.  I also made the dollhouse.  My hobbies invoke those halcyon memories of my preteen years.  I guess I still have a bit of the home girl left in me.


If I were to visit your hometown, where would you recommend I go?  (Not found in guidebooks)

Southwestern sunset
First, I would take you for an authentic Mexican dinner at Chopes, a hidden gem along a wonderful country road that takes you through pecan orchards—the enchiladas à la Chopes may be a bit too spicy until you become accustomed to the chili heat factor.  We could then walk along downtown El Paso to give you the feel of the border, a real Tex-Mex experience.  We could also go to venues that offer salsa dancing and mariachi music, and then top off the evening with Chico’s Tacos.  People far and wide come just for those little taquitos drenched in runny red sauce and mounds of shredded cheese.  Of course, if you like the outdoors, there’s plenty of hiking trails throughout the mountains and desert.


You have total control of casting a movie based on your life. Which actor would you cast as you?

Marsha Mason
If I could coax her out of retirement, it would be Marsha Mason.  She always played the down-to-earth divorcée/ single mom who weathered extraordinary conditions with her ordinary common sense and positive attitude.  At first she’s baffled or confused about a situation but eventually comes to accept and embrace the consequences…similar to my life in many ways, the serious—and sometimes comical—ups and downs. 


Who is your favorite recurring character in crime fiction?

I would have to say Kinsey Milhone, the private investigator from Sue Grafton’s A to Z mysteries.  She’s one tough gal but also has a softer feminine side.  I also enjoy Janet Evanovitch’s Stephanie Plum, the ditzy bounty hunter.  I enjoy the humor as Stephanie gets into yet again another over-the-top predicament involving weird characters, her partner, Lula, the ex-ho, her cop boyfriend Morelli, and her crazy grandmother.


If you could have in your possession one signed first edition of any book in the world, which book would that be?  Why that particular book?

That’s so hard to narrow down, because I love so many books, but I’d have to say Eva Luna by South American writer Isabel Allende.  When I read it I became enraptured with her vivid descriptions, particularly about the lives of her women characters who had to rise from the depths of their second-class status in order to achieve fulfillment.  Her novel invoked so many emotions, from joy to sadness, and I wept, the first time I ever did that with a book. 


How did you celebrate when you first heard you were going to be published?  What did you do when you first saw your book on the shelf in a bookstore?  

I felt thrilled, although I remained slightly skeptical that it could really be happening.  So, I kept the news to myself until I signed the contract, and then I told my husband who called everyone with the news.  I’m still a little amazed by it all.  Death of a Flapper can be purchased direct from Amazon and Barnes and Noble, but Barnes and Noble doesn’t physically stock my book unless they see a growing demand for it in my area.  (I’m still working on it.)  My book can also be had directly from the publisher, Oak Tree Press.


Name one thing on your Bucket List.

French village
Learn French and go to France, and not just Paris but deep in the heart of the country.  And if I ever get rich, I’d like to buy a villa near the Mediterranean.  (I think I was a French peasant girl in a former life!)







You’ve just received a $100 gift card to the bookstore of your choice.  Which bookstore would you make a beeline to?

That’s easy.  Coas Bookstore in Las Cruces, New Mexico.  They stock hundreds and hundreds of books, new and used.  Their mystery books takes up a whole section of the store, and if I’m looking for an author who’s not particularly well-known I can usually find his or her titles at Coas.  



Available Now!
   


Thank you so much for spending this time with us, Debra. It was a pleasure to be able to get to know you a little better. 

May your book sales do nothing but increase!