Now if everyone would just get on the same page! COVID-19 is raging here. Hospitals are beginning to run out of room in their morgues and are using refrigerated trucks to store victims' bodies. And still people pour in to enjoy our weather, bringing who knows what with them (and taking who knows what away). Denis reports record numbers of golfers with all their clubs flying into the Valley, and although Phoenix cancelled all upcoming sporting events, the other towns in the metropolitan area did not follow suit, so those people are coming in droves. We need some key people in charge who have spines and who are willing to do what needs to be done.
Sheila Tierney's garden, which everyone said was the one to beat for the West London Garden Club trophy, had been vandalized the night before the club's early summer tour. Sheila confronted her former friend and gardening partner Anna Wentworth in a towering rage, and the women nearly came to blows. Later that night, after having won the trophy for best garden, Anna is found murdered and Sheila Tierney is the police's prime suspect.
Despite herself, and despite the disapproval of her police detective boyfriend Ryan Ashburton, the game is once again afoot, and Gemma finds herself and Jayne Wilson using their powers of deduction to ponder yet another curious incident."
Almost a year later, Dele approaches Emma Djan, who has finally started to settle in as the only female PI at her agency. To solve Lady Araba’s murder, Emma must not only go on an undercover mission that dredges up trauma from her past, but navigate a long list of suspects with strong motives. Emma quickly discovers that they are all willing to lie for each other—and that one may still be willing to kill."
Eventually, the investigation leads Ned back to the Starlite Club, a dangerous honky-tonk recently constructed in a no-man's land on the Lone Star side of the Red River. Although his investigation uncovers suspicious characters, drugs, and gambling, it's the series of murders that eliminated any potential witnesses to what happened to R. B. on that cold January night, that's the most troubling.
The task is given to the Peculiar Crimes Unit—the only problem being that the unit no longer exists. Its chief, Raymond Land, is tending his daffodils on the Isle of Wight and senior detectives Arthur Bryant and John May are out of commission—May has just undergone surgery for a bullet wound and Bryant has been missing for a month. What's more, their old office in King’s Cross is being turned into a vegetarian tapas bar.
Against impossible odds, the team is reassembled and once again what should be a simple case becomes a lunatic farrago involving arson, suicide, magicians, academics and a race to catch a killer with a master plan involving London churches. Joining their team this time is Sidney, a young woman with no previous experience, plenty of attitude—and a surprising secret."
A mummified corpse, over half a century old, is found in the cellar of an abandoned building in a remote New Mexico ghost town. Corrie is assigned what seems to her a throwaway case: to ID the body and determine cause of death. She brings archaeologist Nora Kelly to excavate the body and lend her expertise to the investigation, and together they uncover something unexpected and shocking: the deceased apparently died in agony, in a fetal position, skin coming off in sheets, with a rictus of horror frozen on his face.
Hidden on the corpse lies a 16th century Spanish gold cross of immense value.
When they at last identify the body -- and the bizarre cause of death -- Corrie and Nora open a door into a terrifying, secret world of ancient treasure and modern obsession: a world centered on arguably the most defining, frightening, and transformative moment in American history."
On the case is Inspector Cutter, a detective as sharp and committed to his work as he is wryly hilarious. Gideon Bliss, a Cambridge dropout in love with one of the missing girls, stumbles into a role as Cutter’s sidekick. And clever young journalist Octavia Hillingdon sees the case as a chance to tell a story that matters―despite her employer’s preference that she stick to a women’s society column. As Inspector Cutter peels back the mystery layer by layer, he leads them all, at last, to the secrets that lie hidden at the house on Vesper Sands.
Meanwhile, someone in the city's criminal underworld is executing weapons smugglers, and has placed former police informant Piet Hoffman's family in grave danger. He must unravel the secret threat to his family, all while keeping secrets of his own. Soon his hunt for answers intertwines with Ewert's, and the two men find themselves in the middle of a criminal conspiracy that is more complicated--and dangerous--than they could have imagined."
Nora and her friends in the Secret, Book, and Scone Society are doing their best to put an end to the strife--but then someone puts an end to a life. Though the death is declared an accident, the ruling can't explain the old book page covered with strange symbols and disturbing drawings left under Nora's doormat, a postcard from an anonymous stalker, or multiple cases of vandalism.
The only hope is that Nora can be a heroine herself and lead the Secret, Book, and Scone Society in a successful investigation--before more bodies turn up and the secrets from Celeste's past come back to haunt them all . . ."