In a race against the clock, Delaney sets out on the expedition of her life, following clues around Edinburgh to get to the bottom of this mystery. Exploring sights from Greyfriars Bobby to the Royal Mile to the Sir Walter Scott Monument, she'll have to put the pieces together quickly, or the bookstore's survival could be on the line...as well as her own."
Many years later and thousands of miles away, Jess is a journalist in search of a story. Having lived and worked in London for two decades, she now finds herself unemployed and struggling to make ends meet. A phone call out of nowhere summons her back to Sydney, where her beloved grandmother Nora, who raised Jess when her mother could not, has suffered a fall and is seriously ill in the hospital.
At Nora's house, Jess discovers a true crime book chronicling a long-buried police case: the Turner Family Tragedy of 1959. It is only when Jess skims through its pages that she finds a shocking connection between her own family and this notorious event – a mystery that has never been satisfactorily resolved.
In 1893, a volunteer at the British Museum makes a startling discovery. When examining a mummy in the museum's collection, he discovers there is a giant ruby in the shape of a heart buried in the chest of the mummy. Even more startling, the mummy might well be Cleopatra. The following morning, the volunteer is found floating in the Thames and the ruby has gone missing. Hired by the victim’s wife to learn the truth behind his death, Barker and Llewelyn find themselves in the crosshairs - now they must avoid a violent street gang, a ruthless collector, and the British Museum itself in order to find the killer and safeguard the gem."
While the two work to make inroads with Ordinary People and uncover their plans, they begin to suspect that the hackers are not their only enemy. Someone within their own circle may have betrayed them, and has ulterior motives that place their mission—and their lives—in grave danger."
Edie teams up with Uncle Tuck and Kala to investigate the background of the collage but only uncover secrets that are more disturbing than the artwork itself. As Edie tracks down the validity of the piece, she stumbles into an art underground where some people are willing to kill to keep their schemes a secret.
Esden expertly crafts a complex cast of characters, a breathtakingly gorgeous setting, and a twisty plot that often poses more questions than answers."
In 1920s Manhattan, Josephine Reed is living on the streets and frequenting jazz clubs when she meets the struggling musician Fred Delaney. But where young Delaney struggles, Josephine soars. She’s a natural prodigy who hears beautiful music in the sounds of the world around her. With Josephine as his silent partner, Delaney’s career takes off—but who is the real genius here?
In the present day, Bern and Eboni begin to uncover more clues that indicate Delaney may have had help in composing his most successful work. Armed with more questions than answers and caught in the crosshairs of a powerful organization who will stop at nothing to keep their secret hidden, Bern and Eboni will move heaven and earth in their dogged quest to right history’s wrongs."
Between tutoring Americans in French, visiting the market, and eagerly sampling the results of Julia’s studies at Le Cordon Bleu cooking school, Tabitha’s sojourn is proving thoroughly delightful. That is, until the cold December day they return to Julia’s building and learn that a body has been found in the cellar. Tabitha recognizes the victim as a woman she’d met only the night before, at a party given by Julia’s sister, Dort. The murder weapon found nearby is recognizable too—a knife from Julia’s kitchen.
Tabitha is eager to help the investigation, but is shocked when Inspector Merveille reveals that a note, in Tabitha’s handwriting, was found in the dead woman’s pocket. Is this murder a case of international intrigue, or something far more personal? From the shadows of the Tour Eiffel at midnight, to the tiny third-floor Child kitchen, to the grungy streets of Montmartre, Tabitha navigates through the city hoping to find the real killer before she or one of her friends ends up in prison . . . or worse."
In Washington, DC, Supreme Court Justice Charlotte Morehouse prepares for a trip to Alaska, unaware that a killer is waiting to take his revenge—by livestreaming her death to the world.
In Anchorage, Alaska, Deputy US Marshals Arliss Cutter and Lola Teariki are assigned to security detail at a judicial conference in Fairbanks. Lola is tasked with guarding Justice Townsend’s teenaged daughter while Cutter provides counter-surveillance. It’s a simple, routine assignment—until the mother and daughter decide to explore the Alaskan wilderness on the famous Glacier Discovery train. Hiding onboard are the Chechen terrorists, who launch a surprise attack. While they seize control of the engine, Cutter manages to escape with Justice Townsend by jumping off the moving train—and into the unforgiving wilderness.
With no supplies and no connection to the outside world, Cutter and the judge must cross a treacherous terrain to stay alive. Two of the terrorists are close behind. The others are on the train with the judge’s daughter—and they plan to execute her on camera. With so many lives at stake, Cutter knows there are only two options left: catch the train and kill them all . . . or all will be killed."
It’s all camera-ready laughs and debates over herringbone tile until Holly and Robert go missing hours after their picture-perfect wedding—leaving behind a bloody trail.
Suspicion falls quickly on Erika Turnbull, the Barrons’ twenty-something assistant—eager, efficient, and secretly in love with Robert. Did Erika let her misguided passion turn her into a murderer? So claim the townsfolk of Snowden, Vermont, who still haven’t forgiven her for a tragic accident back in high school.
I thought Green For Danger was a good read, Cathy, so it's nice to see another edition coming out. And a Will Thomas? And an Elly Griffith? Betty Webb, too? April is going to be quite the month, and it's nice to see good 'uns on the horizon.
ReplyDeleteI'm shocked-- you didn't say a word about blowing your budget! ;-)
DeleteGood month! Of course, I am waiting for The Last Remains (like everyone else). I have a hold on Symphony of Secrets at the library. I enjoyed his first book The Violin Conspiracy. After reading your new April releases, I put a hold on Betty Webb's Lost in Paris. I enjoy her Lena Jones series.
ReplyDeleteI'm finding Lost in Paris to be quite a departure from Webb's other two series, Lynn. I'll be interested in seeing what you think of it.
DeleteI've only recently started reading the Ruth Galloway series so it's good to know there are several more to entertain me. And now a new one!
ReplyDeleteI almost envy you being at the beginning of the series whereas I have to wait impatiently for each new book. Ah well.
DeleteLots to look forward to in April! I already have the Griffiths and Sandford on my list, and you've reminded me that I have yet to read Slocumb's Violin Conspiracy. You know I'll have to check out both of the Paris series debuts, though my 1st thought is that post-WWII is usually more appealing for nethan the 1920s with Hemingway and other misbehaving Americans.
ReplyDeleteYou and I are in agreement about post-World War II Paris versus post-World War I Paris.
Delete